Meera Bai in Junoon

Hema Malini enacting the role of Meera was in a state of reverie in the eponymous motion picture filmed by Gulzar. Similarly, Rajesh Vivek gyrating like a yogi was transported in trance, playing the role of a Sufi in Shyam Benegal’s Junoon. These images are etched and engraved in our minds.

Aslam, my driver at Benguluru too experienced a similar experietienal feeling while participating in the advanced mediation course of the Art of Living. He confided in me about reliving a similar mystical experience at the dargah of Khwaja Salim Chisthi at Ajmer.

The mystic or the seeker surrenders the self to a deity or a supreme power without any spiritual apprehension or shame, which is beyond any discernment.

Sufism was essentially a faith or an intellectual and emotional reserve where philosophers, authors, poets and mystics sought sanctuary which was free from bigotry. The main branches of the Sufi tree were Chisthi, Suhrawardi, Qadiri, Naqshbandi, Shattari and Raushaniyah.

‘There are two aspects of individual harmony between body and soul, and the harmony between individuals. All the tragedy in the world, in the individual and in the multitude, comes from the lack of harmony. And harmony is best given by producing harmony in one’s own life,’ says Hazrat Inayat Khan.

The strands of history underwent dramatic changes with the advent of Islam in India. The political history was marked with violence, bloodshed, conquests and proselytization.

Feathers were ruffled at the subterranean level following the conquest by Islam of India. The Bhakti and Sufi movements provided the necessary road, bridging the chasm and spreading harmony among the denizens of that period. Sufism and Bhakti movement brought the potentate and the populace almost on one platform.

Akbar, and his great grandson, Darah Shukoh, played a decisive role in spreading Sufism in India. While Akbar during his reign played the role of an eclectic and a peacemaker, Dara Shukoh discovered pantheism (tauhid) in Vedanta. As many as 50 works of Upanishads were translated into the Persian language.

Poets Amir Khusrau and Nizamuddin Auliya, among others, contributed to the growth of Sufism. The tradition of Pir, Murid, and Shaikh mirrored the Guru Shishya Parampara of Hinduism. This reveals the plurality of the prevalent culture.

The Ulema considered Sufis as heretics and iconoclasts. However, that did not deter the spirit of inquiry by the Sufis and some among them gave credence to the fact that as the millennium was approaching, the redeemer (Mahdi) would restore the pristine Islamic faith.

Hinduism, meanwhile, was influenced by conversions to Islam, and there was much resentment against the prevalent orthodoxy of Brahmanism. Further, some seekers of the Bhakti movement were inspired by the concept of one God, one text and a single papal authority as in Islam. In fact, this is true of Christianity as well. Unlike as in Hinduism, these seekers believed that monotheism could provide salvation to meet their maker. To their minds Hinduism had become too esoteric and cut away from reality, and was unable to provide solutions to the problems confronted regarding physical and metaphysical aspects.

To challenge the rigidity constraining Hinduism, saints like Madhvacharya (proponent of Dwaita — dualism) and Ramunajacharya (advocate of Visishitadvaita) emerged. They provided a much needed gateway to the unlettered and also to the Mleccha (untouchable). On account of an earthquake at Udipi, the principle deity (Lord Krishna) is placed towards Paschmabhimukha (western side) and so are the other idols. And this was the only aperture, from which Kanakadasa (belonging to a humble caste) could view the Lord! This has been recorded by Madhavacharya in his treatise Tantrasara Sangraha.

Meanwhile, important saints like Meerabai, Vallabhacharya, Kabir, Tulasidas, Namdev, Chaitanya Mahaprabhu, Visveswara, the Vaishanava Alvars and Shaivite Nayanars emerged and spread the gospel of truth particularly among the lower classes of the society. Reconciling the faith of all denizens became their modus vivendi.

Significantly, idol worship as also the nirguna movement flourished in tandem and it was accessible to all castes. This was the biggest benefaction of the Bhakti movement.

The plurality in the Indian thought process can be further appreciated from the fact that the couplets of Raidas (a cobbler by profession and belonging to the Nirguna School) find place in the Guru Granth Saheb.

The Bhakti movement lead to the renaissance of Hinduism, which inturn  lead to the  emancipation of people, contribution to art, culture, literature, music, poetry, translation of the Bhagvad Gita, the Ramayana and the Mahabharata in vernacular languages. This propelled the magnification of regional languages and the publication industry of those times.

But there were some inherent deficiencies and contradictions in the Bhakti and Sufi movements. The movement impacted only the flotsam and jetsam of the society. The opinion makers remained outside the coverage area. The much desired emancipation of women could not take place. Also   the reprehensible and appalling practices of Sati and Jauhar continued in the country in an unabated manner.

The success of any movement depends on the economic development of the people. Economic prosperity was ignored by the movement. Most importantly, the torch-bearers did not carry forward the movement with the same intellectual vigour as their masters (saints/philosophers) did.

Despite all the contradictions, the Bhakti and Sufi movements provided a dynamic voice to Hindu–Muslim unity and an opening for the deprived classes. Thus Meera Bai was not in a state of flux, she was in junoon with her Krishna.

-Taken from my book ‘The Matter of the Mind’ published in 2016

 

 

 

 

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